Cecilia Vicuña at Castello di Rivoli: Inside the Quipu of the Vanished Glacier
A conversation with Marcella Beccaria on Cecilia Vicuña’s first solo museum exhibition in Italy. In the Manica Lunga, El glaciar
Read MoreContemporary Art Criticism, Interviews, Essays and Visual Politics
Start here: Eco Art: The Essential Guide to Artists, Methods, and Climate Justice
Eco & Environmental Art explores how artists engage with ecology, landscape, climate change, and environmental justice. This category brings together two closely related fields. Eco Art often focuses on ecological systems, repair, activism, and responsibility. Environmental Art also includes land-based, immersive, spatial, and site-specific practices.
These artists do not treat nature as a neutral background. Instead, they examine how land, water, air, species, cities, and technology shape human life. They also expose extraction, pollution, waste, and the unequal distribution of environmental harm.
Some artists work with living systems or damaged ecosystems. Others use public space, scientific research, data, sound, light, or natural materials. Therefore, the works can take many forms. They may restore a site, document destruction, create new habitats, or make an invisible process easier to understand.
The focus of this category stays on consequence. Can an artwork repair a place? Can it change public attention? Can it reveal who benefits from environmental damage and who pays the price? Most importantly, can it move beyond a reassuring image of nature?
I am interested in the difference between ecological action and environmental spectacle. A work may use trees, water, recycled materials, or scientific data. However, those elements do not make it meaningful by themselves. Its methods, impact, ethics, and relationship with the site also matter.
Begin with the Eco Art guide at the top of the page. Then read the Environmental Art overview to understand the wider history of the field. After that, move between interviews and case studies. This path makes it easier to compare different materials, methods, places, and political positions.
Related: For articles on ecofeminism and the links between ecology, gender, power, and justice, browse the Feminism category.
Cecilia Vicuña with El glaciar ido (2026) at Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Turin. Photo: Alberto Nidola. A conversation with Marcella Beccaria on Cecilia Vicuña’s first solo museum exhibition in Italy. In the Manica Lunga, El glaciar
Read MoreTimur Si-Qin at Art Basel: Nature Is the Ultimate Artist At Art Basel Unlimited 2026, Mariposita brings the Peruvian Amazon
Read MoreThe Artist Behind the Mesmerizing New Zealand Pavilion at Biennale Arte 2026 With Taharaki Skyside, Fiona Pardington represents New Zealand
Read MoreThe Barbados-born artist brings to Venice a work that holds together extinction, colonial memory, and the desire for repair. Not
Read MoreFrom hermit crabs to clouds generated inside a glass of water; a conversation with the Japanese artist who uses biology,
Read More
Antonino La Vela, The Stranglehold (2025), 40 × 40 cm oil on canvas – abstract eco-art painting about climate crisis, cement and fire. How my abstract eco-art painting maps the pressure of the Anthropocene on a fragile strip of life The Stranglehold is
Read More
Jason deCaires Taylor – Ocean Gaia: Immersion in the Japanese Sea (Credit www.underwatersculpture.com) Site & Symbolism Material, Ecology, and Time Cultural Resonance in Japan A Practice of Living Museums Public Art for the
Read More
Blued Tress Opera in rehearsal forperformance at the Soapbox Galler 2024 y Gallery (Credit www.avivarahmani.com) Her drawings reject nostalgia. They function as records – of exile, ecology, memory, and what remains after the flood. “In
Read MoreA Mediterranean voice born from oil, code, and resistance Painting the Silence I did not begin this work to innovate.
Read MoreWhere Every End Sparks a New Revolution in Art and Change I had prepared this final article weeks ago, but
Read More