Everyone Cried for This Robot. But It Was Never Dying
Sun Yuan and Peng Yu’s Can’t Help Myself became the internet’s favourite dying machine. The story was false. What the
THE JOURNAL IS EVOLVING
Starting next week, this Journal will begin its gradual transition to The Art Trace.
Same archive. Same independent voice. A new identity for what the Journal has become.

Sun Yuan and Peng Yu’s Can’t Help Myself became the internet’s favourite dying machine. The story was false. What the
Behjat Sadr’s black surfaces resemble oil, water, bark and machinery without becoming any of them. This essay reads her abstraction, kinetic blinds and later collages through feminism, Iranian petromodernity and the politics of controlled visibility.
Iranian Feminist Art: When the Image Becomes Evidence In Iran, feminist art is not only a conversation about representation. It

How Sandro Chia turned myth, color and the human figure into a postmodern stage for painting after Conceptual Art. Sandro

From diaspora strategies to coded bodies, how artists challenge morality, state power, and the rules of appearance without losing agency
