Is Jago Really the Problem? Italian Contemporary Art Has Stopped Taking Risks
While Jago wins over audiences and institutions, part of the art system still dismisses him as obvious, rhetorical and media-driven.
THE JOURNAL IS EVOLVING
Starting next week, this Journal will begin its gradual transition to The Art Trace.
Same archive. Same independent voice. A new identity for what the Journal has become.

While Jago wins over audiences and institutions, part of the art system still dismisses him as obvious, rhetorical and media-driven.
Behjat Sadr’s black surfaces resemble oil, water, bark and machinery without becoming any of them. This essay reads her abstraction, kinetic blinds and later collages through feminism, Iranian petromodernity and the politics of controlled visibility.
Iranian Feminist Art: When the Image Becomes Evidence In Iran, feminist art is not only a conversation about representation. It

Mino Guerrini: A Multifaceted Talent in Italian Cinema and Visual Arts In the world of Italian art and film, few

Navigating Borders: Emily Jacir’s Exploration of Mobility and Identity in Palestinian Life Emily Jacir, a prominent Palestinian artist, is renowned
