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September 10, 2026

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Is Jago Really the Problem? Italian Contemporary Art Has Stopped Taking Risks
From Historic Palace to Battlefield for Ghosts: An Interview with Natasha Tontey in Venice
The 15 European Art Exhibitions Worth Travelling for This Autumn
Glenn Ligon at Frieze Seoul: The Problem of Calling Black ‘Black’
Angelo Orazio Pregoni Finishes NATURA VIVA at the Venice Biennale. What Does a Finished Image Leave Out?

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Ana Mendieta

Lynda Benglis in her advertisement (November 1974)

Lynda Benglis in her advertisement (November 1974)

Art Criticism & Essays Art Scandal Feminist Art

Social Media Censorship of Artistic Nudity: The Algorithm Has No Culture

August 22, 2026 Antonino La Vela 58 Views 0 Comments Ana Mendieta, Deborah De Robertis, Guerrilla Girls, Jago, Lynda Benglis, Marina Abramović, VALIE EXPORT

From Michelangelo’s Fig Leaf to Instagram: How We Automated the Censorship of the Body We did not abolish the fig

Ana Mendieta, Untitled (Glass on Body Imprints), 1972. Courtesy of the Estate of Ana Mendieta Collection, LLC, and Galerie Lelong, NY.

Ana Mendieta, Untitled (Glass on Body Imprints), 1972. Courtesy of the Estate of Ana Mendieta Collection, LLC, and Galerie Lelong, NY.

Feminist Art in Latin America: How Artists Fought Dictatorship With Memory and the Street

January 24, 2026 Antonino La Vela 543 Views 0 Comments Ana Mendieta, Doris Salcedo, Lotty Rosenfeld, Marta Minujín

Feminist Art in Latin America: How Artists Fought Dictatorship With Memory and the Street In Latin America, feminist art did

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Venice Biennale 2026View All

Nick Cave at the 2026 Biennale. Seven works of loss, memory, and protest
May 30, 2026 Antonino La Vela
Nilbar Güreş at Biennale Arte 2026. Turkey Pavilion
May 29, 2026 Antonino La Vela
Pussy Riot at the Venice Biennale. Interview with Nadya Tolokonnikova
May 25, 2026 Antonino La Vela
The Polish Pavilion at the Venice Biennale: Language Beyond the Human in Liquid Tongues
May 24, 2026 Antonino La Vela

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