When Spain Carried Pepe Espaliú in Its Arms
If you’re new to this wider project, start here: LGBTQ+ Art: From Classical to Contemporary. You can also browse the
Read MoreContemporary Art Criticism, Interviews, Essays and Visual Politics
Pepe Espaliú was one of the most intense voices in Spanish contemporary art. His work moves between sculpture, drawing, writing and performance. He used art to confront AIDS, queer identity, fragility, fear and public silence.
Espaliú did not turn illness into confession. He turned it into form, action and collective responsibility. Works such as Carrying made vulnerability public and asked others to share its weight. The body became a place of exposure, but also of care.
This tag collects articles and critical readings on Pepe Espaliú, AIDS art, queer memory and performance. It also follows illness, stigma, visibility, mourning and the role of art when private pain becomes public history.
Pepe Espaliú, *Carrying*, Madrid, 1992. In the performance, the Spanish artist was carried through the streets of the city in the arms of others, turning his vulnerable body into an image of care, dependence, and solidarity during the AIDS crisis. Source: "VICE2. If you’re new to this wider project, start here: LGBTQ+ Art: From Classical to Contemporary. You can also browse the
Read MoreIf you’re new to this wider project, start here: LGBTQ+ Art: From Classical to Contemporary. You can also browse the
Read More