Post-Internet Art describes art produced after the internet became an ordinary condition of contemporary life rather than a separate technological space. The term does not suggest that the internet has ended. It identifies practices responding to online circulation, copying, platforms, digital identity and the collapse of any clear boundary between physical and virtual experience.
This archive explores the origins of the term, its connection with Marisa Olson and the work of artists such as Artie Vierkant, Petra Cortright, Brad Troemel, Jon Rafman and Amalia Ulman. Across images, sculpture, video, installation and social media, Post-Internet Art examines how visibility, data, branding and algorithmic distribution influence artistic production and value.
Entrance to Frieze House Seoul, designed by Seoul-based architectural studio Samuso Hyoja, featuring a site-specific installation by Japanese architecture studio SANAA Damien Hirst, Do Ho Suh, Nam June Paik, James Turrell and more than 130 galleries converge at Frieze Seoul 2026. Beyond the headline names, the real story is the changing balance of power between Seoul and the global art world.
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Immersion and interaction: the 1990s helped define digital art as an experiential space. Post-Internet Art: When the Internet Stopped Being Somewhere Else Post-Internet Art sounds like a historical contradiction because we are clearly
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