Carla Lonzi and Rivolta Femminile: Italian Feminism, Art and Refusal
Feminist Art in Italy: Carla Lonzi, Carla Accardi, Elvira Banotti, and a New Politics of Subjectivity Feminism in Italian art
Read MoreContemporary Art Criticism, Interviews, Essays and Visual Politics
Leading figure of postwar Italian abstraction and a co-founder of the Rome-based group Forma 1, known for radical non-figurative painting, bold color, and sign-like visual languages. Her practice moved from energetic black-and-white marks to luminous chromatic works and experiments with Sicofoil, expanding painting into light, transparency, and spatial installation. Accardi’s career also intersects with Italian feminism: she co-founded Rivolta Femminile with Carla Lonzi and Elvira Banotti, linking artistic autonomy to political struggle. Use this tag to navigate essays and references on Italian abstract art, feminist art history, and the reinvention of painting’s surface and space.
This tag is part of my Feminism archive.
Start from the hub: Feminism in Art Isn’t a Style: It’s a Battle Over Visibility.
Feminist Art in Italy: Carla Lonzi, Carla Accardi, Elvira Banotti, and a New Politics of Subjectivity Feminism in Italian art
Read MoreBridging Contemporary Sociopolitical Art and Conceptual Modern Paintings to Marxism in Post-War Italy The story of Forma 1 still feels
Read MorePioneering postwar abstraction, inventing a sign-language, and turning feminism into a public rupture. Carla Accardi (Trapani, 1924 – Rome, 2014)
Read More