The Glorious Mothers: Motherhood as Political Art Now
A collective born in Italy during the pandemic, facing the challenge of being both artists and mothers between creative practice,
Read MoreContemporary Art Criticism, Interviews, Essays and Visual Politics
This index gathers the main Italian contemporary and postwar art movements connected to this category. Some names already have their own tag archive inside the Journal and are linked directly. Others remain as reference points for future articles, tags, and internal expansions.
Linked movements already have a dedicated tag archive on this Journal. Unlinked movements are included as historical and editorial reference points, and can become dedicated tag archives when enough articles are available.
A collective born in Italy during the pandemic, facing the challenge of being both artists and mothers between creative practice,
Read MoreHow a lost Leonardo, a predator’s emails, and a Florida mansion redraw the map of power in the art world
Read MoreHow a Sicilian Mason Turned Artist Transformed Adversity into Timeless Expression In the vibrant yet shadowed corridors of the art
Read More“`html A Place to Contemplate the Infinite If I could lose myself anywhere, it would be within Giuseppe Penone’s enchanted
Read MoreThe Art Heist at Paratissima: A Celebration Overshadowed This year’s Paratissima in Turin was supposed to be a celebration of
Read MoreExploring the Museo d’Arte Urbana (MAU) in Borgo Campidoglio, Turin, Italy I’ve always been fascinated by visiting the places associated
Read MoreThe real question is: Is this truly art, or merely a pursuit of scandal? After diving deep into the works
Read MoreMaurizio Cattelan’s Viral Moment In the modern art world, few pieces have stirred as much conversation as Maurizio Cattelan’s infamous
Read MoreBridging Classical Mastery and Contemporary Provocation in Italian Sculpture In the world of contemporary sculpture, few names resonate as strongly
Read MoreHow the Art World Turned a Pile of Crap into a Golden Opportunity, and the Public Footed the Bill A
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