Who Invented the Outsider? The Unresolved Paradox of Art Brut
Modern art searched hospitals, streets and social margins for images the academy could no longer create. Art Brut reveals who still has the power to name the outsider.
Read MoreContemporary Art Criticism, Interviews, Essays and Visual Politics
The Prinzhorn Collection in Heidelberg preserves one of the world’s most important bodies of art created by people living in psychiatric institutions. Its historical collection includes drawings, paintings, sculptures, textiles and writings produced mainly between the nineteenth and early twentieth centuries.
Largely assembled by the psychiatrist and art historian Hans Prinzhorn, the collection profoundly influenced modern art and later discussions surrounding Art Brut and outsider art. This section explores its artists, history and critical legacy, while examining the complex relationship between creativity, psychiatric institutions and cultural recognition.
Installation view, L’Art Brut de Jean Dubuffet, aux origines de la collection, Collection de l’Art Brut, Lausanne. Courtesy of Collection de l’Art Brut. Modern art searched hospitals, streets and social margins for images the academy could no longer create. Art Brut reveals who still has the power to name the outsider.
Read MorePrinzhorn Collection beyond “mad art”: Thomas Röske and the crisis of the museum gaze 25 Years Museum Prinzhorn Collection, 28
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