Who Invented the Outsider? The Unresolved Paradox of Art Brut
Modern art searched hospitals, streets and social margins for images the academy could no longer create. Art Brut reveals who still has the power to name the outsider.
Read MoreContemporary Art Criticism, Interviews, Essays and Visual Politics
Jean-Michel Basquiat (1960–1988) was an American artist whose paintings combined graffiti, drawing, anatomical references, historical symbols and fragments of language. Emerging from New York’s downtown scene, he developed a raw and instantly recognisable visual language that confronted race, power, colonialism, fame and cultural exploitation.
This section explores Basquiat’s paintings, drawings and collaborations, as well as his relationship with street culture, Neo-Expressionism and the international art market. It also examines how an artist once associated with creative marginality became one of the most celebrated and commercially valuable figures in contemporary art.
Installation view, L’Art Brut de Jean Dubuffet, aux origines de la collection, Collection de l’Art Brut, Lausanne. Courtesy of Collection de l’Art Brut. Modern art searched hospitals, streets and social margins for images the academy could no longer create. Art Brut reveals who still has the power to name the outsider.
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Read MoreExploring the Revolutionary Art and Legacy of Jean-Michel Basquiat In the kaleidoscope of contemporary art, few figures shine as brightly
Read MoreThe Urban Art Movement: From Street Art to a Global Phenomenon The Urban Art Movement—often discussed alongside street art—grew from
Read MoreKeith Haring did not simply bring graffiti into contemporary art. He created one of the most recognizable visual languages of
Read MoreExploring the Vibrant World of Street Art A Global Revolution in Urban Creativity In the bustling streets of cities around
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Read MoreRevolutionary Art, Street Language, and Power From SAMO to the gallery system: icons, wounds, and a new visual grammar Jean-Michel
Read MoreJean-Michel Basquiat: From SAMO to Global Icon, Graffiti, Neo-Expressionism, and the Politics of the Image Early Life in Brooklyn: Heritage,
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